“Cork ends up doing most of the heavy lifting in the play, and he’s got the broad shoulders, cocky confidence, and good old boy charm to carry it off.” - Louis B. Hobson, Calgary Herald

“Cork is very capable of carrying this full storyline and guiding the audience through on what he wants them to see.” - Jenna Shummoogum, JennaShummoogum.ca

“…and Griffin Cork lends his powerful baritone to lead the others in a rousing rendition of Auld Lang Syne, which coaxed audible tears and cheers from the capacity crowd at the Rosebud Opera House.” - Louis B. Hobson, Calgary Herald

“Fresh from being a soldier in Forgiveness at Theatre Calgary Griffin Cork layers naïve good cheer with the crushing horrors of war.” - Caroline Russell-King, Calgary Theatre Critic’s Awards

“Cork is a standout performance and every time he’s on stage as his older self, I wonder if he has additional makeup or a drastic costume change. He doesn’t. He embodies his character of Ralph so well, that his transformation in age happens on stage, every time.” - Jenna Shummoogum, JennaShummoogum.ca

“…where Ralph (Griffin Cork, in a powerhouse performance) narrates that more Canadian boys from the Magdalens died in combat…There are lots of terrific performances, including Cork as Ralphie…” - CTV Calgary

“Leads Yoshie Bancroft and Griffin Cork are sensational.” - Caroline Russell-King, Calgary Theatre Critic’s Awards

"Bancroft and Cork turn in strong central performances…” - Jerry Wasserman, Vancouver Sun

“Both Cork and Bancroft portray the innocence of youth and the pain of suffering and degradation with equal clarity… Cork is at his best in the scenes where he is haunted by the ghosts of those who died.” - Louis B. Hobson, Calgary Herald

“Cork brings a deep tenderness to Ralph, who evolves from a young man trapped in an abusive home to a deeply traumatized soldier to a PTSD-wracked veteran.” - Jessica Werb, Stir Vancouver

“Griffin Cork does a fine job of inhabiting Ralph.” - Colin Thomas

“…One minute Cork is a bullying security guard and the next the preening and highly manipulative leading lady, Caroline Giovanni. To his immense credit, Cork does not attempt some garish female impersonation, physically or vocally. What he does is subtle and much more effective.” - Louis B. Hobson, Calgary Herald

“Griffin and Nathan’s fast wit and transitions in Stones in His Pockets was flawless! They have great chemistry on stage and their acting skills are outstanding.” - Karen MacDonald, Kulture Shake

“… a 9:00am show on a Saturday. Takes a lot to get me up that early, but the Stage West for Kids’ production of 12 Days of Christmas was perfect. And you should see Griffin Cork in anything.” - Naheed Nenshi, Former Mayor of Calgary

“As is reminiscent of what I call the Scooby Doo formula, we next have our somewhat oblivious stoner. He’s only somewhat oblivious, though, and Griffin Cork also delivers a really compelling performance, accidentally leaving his radio plugged into the car and draining the battery, and beating himself up for it, then defending himself half-heartedly. It’s really solid. - Mary Kay Mcbrayer, Killer Horror Critic

“Notable performances: Robert Klein, playing grandfather Jake, and Griffin Cork, as grandson Riley, share some lovely bonding moments that unite across a generational divide.” - Caroline Russell-King, TheYYScene

“Both Klein and Griffin know just how far to take their slapstick antics.” - Louis B. Hobson, Calgary Herald

“…I can still remember Griffin as a 10-year-old doing standup comedy at one of Karen’s birthdays,” said Fleming. “He’s perfect (as) Riley, who is also pretty unconventional.” - Neil Fleming (Playwright), Calgary Herald

“But in Fully Committed, actor Griffin Cork and director Chris Stockton have proven that they should be counted among the big guns in town. I would venture to say that this show might be the best thing on local stages at the moment.” - Lori Montgomery, The YYScene

“It was well suited for the space, the actor (Griffin Cork) was spectacular. It was a balance of theatre-nerd indulgence and human storytelling.” - Vicki Trask, BroadwayWorld

“Cork truly is amazing as he runs around and gives every single one of his characters personality and ensures that they are distinct from each other.” - Jenna Shummoogum, JennaShummoogum.ca

“…and fully committed pretty much describes Griffin Cork’s performance in Birnton Theatrical’s version…” - Louis B. Hobson, Calgary Herald

“And Griffin Cork is given some moving words as a doctor who explains to the worried mother-to-be how love will make everything right.” - Colin MacLean, GigCity.ca

“Griffin Cork and the Alberta stars shine in this charming new series.” - Jill Maria Robinson, I’m Here With Magazine

“Abracadavers follows the story of Chris (terrifically played by Cork), whose mom died in a freak hair salon chair accident.” - Mark Weber, The Stettler Independent

“He is berated by his friend Ventidius (Griffin Cork – in a stand-out performance), a rude soldier described as “a blunt, unthinking instrument of death,” but who loves his commander.” - Colin MacLean, GigCity.ca

“Griffin Cork is compelling as the general Ventidius, who loves Antony more, perhaps, than even Cleopatra does…” - Katherine DeCoste, The Gateway

“In one of my favourite transformations, we see the aide Krasin (Griffin Cork) fall from feeding Stalin most of his lines to becoming an order taker.” - Jenna Maynowski, After The House Lights

“Griffin Cork also delivers a reliable performance as the group’s narcissistic friend Henry who questions the accuracy of white privilege in times of cultural sensitivity.” - Matthew Wexler, The Broadway Blog

“The secondary conflict between Jean (Sarah Culkin) and Henry (Griffin Cork) incisively probes the life of white guilt…” - Jonah Dunch, The Gateway